And it complies faithfully with existing regulations. This particular site is steep, like all the others, sandwiched between two terraced buildings, like all the others. The house is intended to recreate the spirit that Roberto Puig originally proposed: a terraced Mediterranean village with a beautiful cascade of white volumes overlooking the sea. And to celebrate the fact, Javier Callejas, our architect-cum-photographer, has produced a beautiful photographic report that captures the spirit of the place to perfection. It is a different idea of the web, which we might call slow web.Īfter four long years of hard work we’ve finished building a house in Mojácar. banners, pop-ups or other distracting noise. No "click me," "tweet me, "share me,” "like me." No advertising. Behind all this there is the certainty that we can do better than the fast, distracted web we know today, where the prevailing business model is: "you make money only if you manage to distract your readers from the contents of your own site." With divisare we want to offer the possibility, instead, of perceiving content without distractions.
A long, patient job of cataloguing, done by hand: image after image, project after project, post after post. Every Collection in our Atlas tells a particular story, conveys a specific viewpoint from which to observe the last 20 years of contemporary architecture. Our model was the bookcase, on whose shelves we have gathered and continue to collect hundreds and hundreds of publications by theme. So we began to build divisare not vertically, but horizontally. May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the "cover story," "the focus."Ĭontent that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2.
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